ScreenCrave.com » Shia LaBeouf

Check Out the New Clip from ‘Lawless’ Featuring Shia Labeouf and Tom Hardy

Damon Houx — Mon, 21 May 2012 19:49:12 +0000

Though it premiered at the Cannes festival to modestly positive reviews, we’re still hungry to see Tom Hillcoat’s Lawless – which stars Tom Hardy, Shia LaBeouf, Jessica Chastain and Guy Pearce - something fierce. The film doesn’t come out theatrically until August, so we’ll have to make due with this new clip from Hulu.

Here we see the two bottlegging brothers played by LaBeouf and Hardy having a heart to heart after a scuffle. It looks like LaBeouf was on the wrong side of the argument and got walloped, which would explain his bloody eye. Hardy then breaks down why he shouldn’t have behaved as he did, and the scene ends. Like a number of Cannes films, there are often one minute scenes made available to the general public to preview why they are in competition. This seems to be that sequence.

The film was written by John Hillcoat and Nick Cave, and yes it’s that Nick Cave, former frontman of The Birthday Party and Nick Cave and the Bad Seeds. This isn’t his first script, as he he wrote Hillcoat’s previous films The Proposition and Ghosts… of the Civil Dead. Trivia: Cave was once attached to write the prequel to Ridley Scott‘s Gladiator.

Things will heat up for the movie if it wins any prize at the festival. Otherwise, look for it as Fall starts.

Does this clip make you want to see the film?

Shia LaBeouf Will Not Be Returning To Ruin ‘Transformers 4′

Travis Woods — Thu, 26 Apr 2012 14:54:01 +0000

Oh, the Transformers franchise—a series of films about walking trucks from space that punch each other amidst a sea of inflammatory racial stereotypes, scantily-clad gals who think they’re in a Carl’s Jr. ad, and Shia LaBeouf’s sweaty, manic overacting. Well, Transformers fans, you have one less thing to worry about concerning Transformers 4—Shia LaBeouf will not be returning to ruin it (but, you know, the overreliance on CGI, bloodless technical skill, and zero story whatsoever will probably still make it horrible).

Paramount film group president Adam Goodman recently stated that Shia LaBeouf will definitely not be in Transformers 4, and will go the way of post-Transformers: Revenge of the Fallen Megan Fox obscurity (one can hope, anyway). Further, he indicated will be moving in a different direction (perhaps it will be walking skyscrapers from space that come to Earth to punch each other? Or perhaps a series of warring telephone poles?) by stating that “Ehren Kruger [who wrote the past two Transformers movies] is writing it for us, and we’re starting to engage, but I can’t say anything more.”

But hey, not to worry, Transformers fans. Sure, there are some changes ahead. But as long as Michael Bay is at the helm, one thing is for certain: the film will be a juvenile, pandering mess of explosions and highly toned legs. So there’s always that, right?

What do you think of the Transformers 4 news?

Source: /Film

Transformers: Dark of the Moon: Movie Review

Damon Houx — Thu, 30 Jun 2011 21:44:08 +0000

After the second film – which star Shia LaBeouf and director Michael Bay have publicly apologized for -there was hope that Transformers: Dark of the Moon would settle Michael Bay down, and give him a better story to tell. Working with 3-D, his hyper-editing style wouldn’t work in the format, and there would be no “afterthought” Imax scenes. There would also be no writer’s strike, so the script could be written in a more timely and coherent fashion. And though Michael Bay does action on a scale that is unmatached in the industry, it’s pretty much the same movie, except this time on Ritalin. Find out more below…

The Players:

Director: Michael Bay
Screenplay: Ehren Kruger
Actors: Shia LaBeouf, Rosie Huntington-Whiteley, Tyrese Gibson, Josh Duhamel, Patrick Demsey, Frances McDormand, John Malkovich, John Turturro, Alan Tudyk
Original Music by: Steve Jabolonsky
Cinematography by: Amir Mokri

The Plot:

On the planet Cybertron, there’s a great mechanical whatsit that can do awesome things, but it crash-landed on the moon. Astronauts found the crash in 1960′s, but couldn’t do anything about it. Cut to now and Sam Witwicky (LaBeouf) is having trouble finding a job, though his girlfriend Carly (Huntington-Whiteley) has an awesome job – but with an obviously evil boss (Demsey) – and an impossibly expensive flat. The Bad guys (the Decepticons) are up to no good, and trick the Autobots into waking up Sentinel Prime (voiced by Leonard Nimoy), who’s the only person who can power the great whatsit, which can be used for great good or evil or something. This leads to a virtually hour-long assault on Chicago.

The Michael Bay Paradox:

Everything that is good about this movie – other than the great action beats in the final act – is also everything that’s wrong with the film. The film starts – after its prologue – with Sam looking for a job. At the end of the film – in a movie with a coherent screenplay – the journey would be that Sam officially gets a job working with the Autobots as an ambassador or some such nonsense. Instead, the movie ends when the big fight is over and then adds some narration from Optimus Prime (voiced by Peter Cullen). I should note that because so much of what Prime says is stuff like “on our world there was a great war, a war that raged for decades. Autobots fought valiantly, and used all the strength they had, but there seemed to be no hope… until they found a thing. A thing that could change the course of our destiny. A thing… that was lost.” eventually my ears glazed over. Anyway, if this movie was about its human protagonist, him getting a job would be the hook to hang the movie on. And such invokes the paradox – these movies aren’t really about the humans, so is it smart to not care at the end of day? And how much should we care about humans in a story that features cars that turn into robots? Bay doesn’t actively view his narrative with contempt, but he seems to care less about it than he does what interests him: Cars, Rosie Huntington-Whiteley’s body, and destruction.

Michael Bay is one of the great action directors when he puts his mind to it, and when he has the tools the man can craft the hell out of a sequence. The parts where guys wearing wingsuits jump out of crashing helicopters and fly around downtown Chicago is insane, so is the sequence where the main characters are in a building that’s collapsing. These aren’t “wow, cool digital effects” moments, they are “What? That’s awesome!” moments. In another time, Michael Bay would be the go-to second unit director (it wasn’t until Spielberg changed the game that most action sequences were not left mostly to the second unit, though historically, it feels like The French Connection and The Wild Bunch started that trend). Bay would be a great 2nd unit guy also because he obviously has no feel for actors, and his sense of humor is based around loudness. Transformers 3 – like so much of the big summer movies we get these days – is filled with a number of great ingredients that are all half-cooked. And it’s not that Bay gets a bad performance out of someone like John Malkovich or Ken Jeong (painful in his five minute cameo), it’s that he doesn’t want performances so much as a collection of affectations.

Bay has directed nine films – with more than half costing over a hundred million dollars – so you have to wonder how intentional this is. Transformers: Revenge of the Fallen was attacked for being incoherent, racist and pretty much terrible, and if this is his apology, he still has almost all of the same problems, it’s just not as aggressive in the presentation. It seems that Bay works best when he has a strong producer behind him (Read: Jerry Bruckheimer), and it seems Steven Spielberg was more hands on with the first film than the sequels (though he supposedly gave Bay the opening sequence idea, something that he squanders). Again, Bay is either a savant, or this is intentional. But the whole film is filled with scenes like one that happens in the middle of the movie: Sam and his girlfriend head to see the Autobots, but the guards won’t let him in. Everyone starts yelling, and the guards destroy his car because he doesn’t have proper clearance. Then, after the yelling stops, Sam and his girlfriend are let in and told things that are supposedly the most top secret secrets in the history of tops and secrets. Sam and his girlfriend. What was the point of the yelling scene? If bad writing is including needless words, there’s easily a good thirty minutes to an hour that could be cut from the first ninety minutes, and you would never know they were gone. Perhaps this is Bay’s way of winking at the audience, or expressing his contempt for the material. But at this point, it’s fair to say this is the Michael Bay touch.

Oh, another example: in a good screenplay, the humans have one rocket which can supposedly take out the great whatsit, and climb the building to use it. But then they never use it while in the building and never use it, period. It’s like it got forgotten by the filmmakers. Why do they set up the rocket if they never use it as it is intended to be used? Basically it’s the excuse to get them into the collapsing building. The problem is that it’s a great sequence, but the connective tissue is made moot.

The Good:

The 3-D: This is probably the only film this year where seeing it in 3-D may make it a better experience, and Bay has fun with this stuff. And when the soldiers are flying around Chicago in their wingsuits it looks great.
The Final Action Set Piece: There are things in it that are so out of hand that it’s fair to say you’ve never seen anything like it before.

The Bad:

The Humans: Alan Tudykis the rare performer in this film that is actually winning, but even there he’s playing a gay-ish German guy. Franes McDormand – who enters the film delivering some of the most on the nose exposition in cinema history – and Johns Turturro and Malkovich get to run around and yell a lot. They are all excellent performers, but… this? Shia LaBeouf is either bored or obnoxious, and Rosie Huntington-Whiteley is so ogled by the camera that it turns the audience into leches. I wouldn’t say she’s good or bad in the film, so much as there to be looked at. That said, Megan Fox deserves more credit for making a character out of the same shtick.

Bay’s appropriation of National Tragedies: Michael Bay turned the bombing of Pearl Harbor into an action set piece, so his sensitivity to tragedy is virtually nil, but there’s a sequence that recalls the Challenger disaster that is simply tasteless. I was worried the same would be said of the collapsing building set piece, but that’s so well choreographed that it does evoke the same sort of contempt.

The Comedy: Bay’s sense of humor has long been that of a twelve year old boy who is uncomfortable with his sexuality and is proudly xenophobic. The bits with Ken Jeong are much shorter than the roommate/sidekick in the last film, but are just as painful to watch.

The Screenplay: There’s a number of great lines in the film MacGruber, but one of the best is when Ryan Phillipe says to the main character “I’ve learned a lot from you, mostly what not to do, but…” This screenplay should be taught as an example of how not to do things. There is no sense of build in the film, and there’s often a sense that the plot is just an excuse to get to the next scene – which often leads nowhere interesting. This – much like The Phantom Menace - is filled with so much “cart before the horse” business.

Overall:

I can’t recommend the good in this film (which is really, really good) over the bad, because this film is Hollywood throwing everything they’ve got at it, except at the things that normally make a movie good. Pace, characters, empathy, plot, etc. Though there are a number of schlocky films that deserve praise for exceptional stunts, and good sequences in the midst of bad performances and technical limitations, those films are not usually made with this sort of money. Alas, in a summer of misfires, and half and half’s, this is the one that really delivers the big budget spectacle that they got close to in films like Thor and The Green Lantern. One wishes there was a compelling story to go along with it.

Rating: 4.5/10

Transformers: Dark of the Moon is in theaters now.

Gallery:

Trailer:

Transformer: Dark of the Moon Stills Promise Bayhem

Damon Houx — Thu, 31 Mar 2011 19:46:06 +0000

For the July 1 release of Transformers: Dark (Side) of the Moon, it’s been interesting to see the returning cast and crew go on an apology tour. Star Shia LaBeouf has said he knows the film sucked, and Michael Bay has made similar comments. Which is funny in that the second film made over $400 Million domestic, and does have a number of apologists. But for the third film – which stars LaBeouf along side Josh Duhamel, Tyrese Gibson, John Malkovich, and Megan Fox replacement Rosie Huntington-Whiteley – they’ve said they’re going back to basics. The new stills suggest more of the same. Check ‘em out…

Around the set, the amount of destruction and the height of the fireballs that Michael Bay calls for has been nicknamed “Bayhem.” And that’s what this looks like, another solid dose of Michael Bay wrecking shit, and exploding things. He does it well – or at least his hyperkinetic style can sometimes be engaging as eye candy.

Where the first film had spent years in development, the second film was commissioned while the writer’s strike was happening. Three writers worked on it, and yet they never figured out the film other than the action beats that Michael Bay wanted. As such, it would go from pretty stunning effect sequences to terrible comedy and sequences of laborious exposition.

Bay (like Zack Snyder) needs a script. This – hopefully – has one.

Do you think Pink Floyd when you see that title?

Shia LaBeouf gets Horns

Damon Houx — Thu, 17 Mar 2011 20:52:09 +0000

With at least one franchise under his belt (Transformers) that shows no signs of stopping, Shia LaBeouf is doing what all smart actors do: collecting interesting projects. His most recent addition is Joe Hill’s best selling novel Horns, according to Variety. The premise that a year after his girlfriend was slaughtered he wakes up to find that he has both horns and superpowers. And screenplay is being worked on by Keith Bunin, who’s one of the writers on “In Treatment.”

Though LaBeouf is no Guilermo del Toro or David Fincher in terms of being attached to dozens of projects at the same time, La Beouf is attached to at least five titles currently. This list includes an upcoming Oliver Stone film called Pinkville and a John Grisham adaptation to be headed up by Tony Scott. And this may be the new way of the industry. With scheduling conflicts and unpredictable money issues, so many projets fall by the wayside that many writers and directors get stuck for years on a project that ends up going nowhere.

Still, LaBeouf has been in three films that have grossed over $300 Million domestically (the two Transformers and the fourth Indiana Jones film), while Disturbia and Eagle Eye were viewed as successful, and the new Transformers should also make a mint. It’s hard to say if he had any impact on the gross of Wall Street 2, but La Beouf is at the point where he is trying to be smart about his career. Feeding the Transformers machine keeps everything going, so as long as he’s got that, it should give him some freedom. The question is if audiences will follow.

Do you think Shia La Beouf is a movie star, or just the star of Transformers?

Shia LaBeouf in The Running for The Bourne Legacy

Krystal Clark — Tue, 01 Mar 2011 19:26:00 +0000

Last week we got our first peek at the shortlist for the upcoming Jason Bourne spin-off The Bourne Legacy. Almost every actor between the ages of 20 and 36 was mentioned as a possible candidate, and just when we thought no one else could be added, enter Shia LaBeouf. The Transformers star is the latest young man to put his horse in this casting race according to Latino Review.

The site claims that director and screenwriter Tony Gilroy has been meeting with some of Hollywood’s most eligible actors including LaBeouf. Nothing has been confirmed or finalized but he’s in the running. A couple years ago the actor may have been Hollywood’s “It Boy” but these days he has some tough competition.

Here is the list of actors previously mentioned as Bourne candidates:

Alex Pettyfer
Joel Edgerton
Josh Hartnett
Jake Gyllenhaal
Tobey Maguire
Paul Dano
Michael Pitt
Oscar Isaac
Garrett Hedlund
Kellan Lutz
Tobey Maguire
Michael Fassbender
Luke Evans
Taylor Kitsch
Benjamin Walker

Tough crowd. Perhaps what LaBeouf lacks in muscle and height he can make up for in speed? The Bourne Legacy will focus on a new character, which will leave it open for the possibility of Matt Damon returning to the franchise down the line. Legacy doesn’t center on Jason Bourne but a new assassin with a similar background as him.

What do you think of the candidates of The Bourne Legacy? Does LaBeouf have a shot?

Shia LaBeouf and Jessica Chastain Confirmed for The Wettest County

Krystal Clark — Mon, 13 Dec 2010 21:58:01 +0000

Last week we learned that Shia LaBeouf was in negotiations to join Tom Hardy in John Hillcoat’s adaptation of The Wettest County. According to THR, the young actor’s involvement is a done deal and he’s been confirmed to star in the passion project and he’s not the only one joining the cast. Jessica Chastain has also been confirmed to play one of the female leads.

The Wettest County is a period piece set during the Prohibition era. The film is based on a novel from Matt Bondurant and centers on his grandfather and two great-uncles. The true gangsters story tells of the Bondurants boys, bootlegging siblings taking the law into their own hands in Prohibition-era Virginia while making a run for the American Dream.

Hardy and LaBeouf will play the brothers, while Chastain will play Hardy’s love interest, “a big city woman now living in a small town who at one time was mixed up with gangsters. At one time Scarlett Johansson was considered for a role in the film as well as Ryan Gosling but those deals fell through.

What do you think of the line up for The Wettest County? Are you ready to see Hardy and LaBeouf as bootleggers?

Shia Labeouf, Tom Hardy Join The Wettest County in the World?

Krystal Clark — Wed, 08 Dec 2010 18:03:23 +0000

What would happen if Sam Witwicky from Transformers joined forces with Eames from Inception? You might soon find out because Shia Labeouf and Tom Hardy are both in talks to star in the dramatic thriller The Wettest County in the World. The film that will be directed by John Hillcoat was rumored to have Labeouf starring opposite Ryan Gosling, but it seems that role will be played by Hardy.

According to 24 Frames, The Wettest County is a period piece set during the Prohibition era. The film is based on a novel from Matt Bondurant about a family of bootleggers, and the crimes committed by and against them. It’s an independently financed project that’s expected to begin shooting this spring.

The idea of Labeouf and Hardy illegally distributing alcohol to the masses does sound like an interesting premise but will Hardy’s schedule permit it? According to co-star Michael Caine, The Dark Knight Rises should begin shooting sometime in May of next year. Will that be enough time for the Hardy to prepare and do both? We all know how much Christopher Nolan likes to prepare before films. There doesn’t seem to be a lot of breathing room between the two.

What do you think of Hardy and Labeouf working together? Are you familiar with the book?

Wall Street Money Never Sleeps: Movie Review

Krystal Clark — Fri, 24 Sep 2010 00:30:01 +0000

Oliver Stone returns to the big screen with the long awaited sequel to his 1980s hit Wall Street. Money Never Sleeps takes place during the 2008 recession and follows a new and younger group of Wall Street traders. The film doesn’t try to copy the original as much as you might think. Yes, there’s the mentoring of an up and comer by a devious veteran but it also tackles the politics and corruption present in the new millennium. Money Never Sleeps opens a whole new bag of worms.

Check out the review…

The Players:

Director: Oliver Stone
Screenwriters: Allan Loeb, Stephen Schiff, Oliver Stone and Stanley Weiser (characters)
Cast: Shia Labeouf, Michael Douglas, Carey Mulligan, Josh Brolin, Frank Langella, Eli Wallach, Susan Sarandon
Cinematography: Rodrigo Prieto
Original Music By: Craig Armstrong

The Plot:

Money Never Sleeps is set 20 years after the first film and centers on a young Wall Street trader named Jacob Moore (Labeouf), who gets taught some hard lessons in the business. After emerging from his stint in prison, Gordon Gekko has become a popular author and media expert on all things financial. He’s also Jacob’s future father-in-law who helps him take down the corrupt bank CEO, Bretton James (Brolin). In exchange for his services, Moore has to help Gekko repair his estranged relationship with his daughter Winnie (Mulligan). He soon discovers that playing with money is like playing with greed and greed isn’t good, it’s evil.

The Good:

The Cast: Money Never Sleeps is filled with a cast of Oscar winners and nominees led by the cool and collected Michael Douglas. Every actor elevates the other’s performance, which makes the film more watchable and more entertaining. LaBeouf may seem like an odd choice for such a dramatic role but he really brings it and proves that he can hang with the big dogs.
The Cinematography: New York City is shown in the way that would make any outsider jealous. It’s shot beautifully with the architecture being somewhat of a secondary character in the film.
The Wardrobe: All of the characters have money and we can tell. Their dressed from head to toe in the most expensive and tailored clothes. You will walk out of the theater with a sudden desire to hit the mall. The film makes you not only want to look good, but powerful as well.
The Set Design: Everything from the Wall Street offices, to the lofts, to the mansions are crafted with such detail. The set designers make sure that every nook and cranny tells a story about the characters and they do!
Carey Mulligan: Earlier I noted the cast but Mulligan’s performance deserves to be called out. Her portrayal as the long suffering daughter of Gekko and fiancee of Jacob is the heart and soul of the film. She’s the glue that holds both men together whether they realize it or not, and when she breaks the viewer does as well. That’s how good she is.

The Bad:

The Length: The only bad thing about the film is its length. The last 15 minutes could have been cut out. The story seems to have a natural resolve at a certain point but then it throws you a curve ball that then has to be played out. Unfortunately, by that time you’re ready for everything to wrap up.

Overall:

Wall Street Money Never Sleeps is a pleasant surprise. It’s not better than the original but it’s a solid stand alone film.

Rating: 8/10

Wall Street Money Never Sleeps opens in theaters nationwide on September 24th.

Photo Gallery:

Trailer:

Will you be seeing Wall Street Money Never Sleeps this weekend?

Wall Street 2 Clip: Michael Douglas Explains Why Money Never Sleeps

Krystal Clark — Wed, 08 Sep 2010 20:21:37 +0000

Later this month Michael Douglas and Oliver Stone will return to the meanest land of all — Wall Street. The duo are back in the sequel Wall Street: Money Never Sleeps to tell another story of greed gone bad. This time Gekko isn’t the top dog, but an ex-con using his slimy ways to once again influence those around him. If there’s anything he knows it’s the game, so check out this newly released clip that features Gekko explaining to Shia LaBeouf why “money never sleeps.”

After emerging from his stint in prison Gordon Gekko has become a popular author and media expert on all things financial. Labeouf’s character Jake is completely enamored by his charisma and his knowledge, and like most young brokers falls under his spell.

Money Never Sleeps takes a page out of the original’s script, with the only difference being time. It’s set 20 years after the first film and centers on an up and coming Wall Street trader who gets taught some hard lessons in the business. In the midst of it he unites with the infamous Gekko to save the financial community from the oncoming economic collapse.

Wall Street: Money Never Sleeps was originally scheduled to hit theaters in April but has been pushed back to September 24th.

What do you think of this clip from Wall Street 2? Are you interested in seeing the film?

Shia LaBeouf Is The Most Profitable Actor in Hollywood

Krystal Clark — Tue, 31 Aug 2010 23:03:29 +0000

Shia Labeouf has one film coming out this year, the sequel to the 1987 classic Wall Street. He’s only 24 years old and he’s managed to star in several franchise films, most notably Transformers. According to THR, for the second year in a row Labeouf has topped the Forbes list of actors who deliver the most “bang for their buck.”

For every dollar the studio pays Labeouf, his movie earns $81 in profit. Compared to most actors, he isn’t requesting a $20 million quote from executives. His modest check, plus the overwhelming box office gross of such hits as both Transformers and Indiana Jones The Kingdom of the Crystal Skull make him a wise investment. For the latest Indy flick, George Lucas, Steven Spielberg, and Harrison Ford split the majority of the profits leaving Labeouf as one of the few cast members who had a regular salary, which allowed the studio to earn some money.

Anne Hathaway followed at number 2 on the list with $64 earned per film thanks to Alice in Wonderland and surprisingly, Bride Wars which earned $115 million (who knew?). “Rounding out the Top 5 are Daniel Radcliffe ($61 in profit for each $1 paid), Robert Downey Jr. ($33) and Cate Blanchett ($27).” And the biggest surprise of all… Johnny Depp! Yes, he cracked the Top 10 with $18 earned for each dollar, which is amazing considering his ginormous pay day.

What do you think of Forbes list of profitable actors? Are you shocked, confused, agree, or disagree?

Transformers 3 Set Photos and Video

Krystal Clark — Tue, 22 Jun 2010 17:58:51 +0000

Michael Bay and the rest of the Transformers crew are well into production on the third and (supposedly) final installment in the film series. While shooting, a few behind the scenes photos have appeared online featuring Shia Labeouf and his new leading lady Rosie Huntington-Whiteley, as well as Tyrese Gibson. There’s also a video of the production team filming some high end sports cars on a closed street, with one of them being a red Ferrari. Check it out…

Is it just me, or does Sam always look the exact same in each movie? He’s always dirty and always has a look of shock or distress on his face. I’m also convinced that Labeouf will have to stand on apple boxes while next to Huntington-Whiteley or she’ll have to wear flats throughout the entire shoot. They’re both the same height and she could easily dwarf him in every scene if she put on some heels.

Onto the cool car action:

The cars are the only good and solid thing about Transformers. The red Ferrari is pretty badass but it’s not enough for me to pay to see this movie. My faith has been severely damaged when it comes to this franchise. What about yours?

What do you think of the behind the scenes footage and photos from Transformers 3?

Source: JustJared

ScreenCrave.com » Shia LaBeouf

Check Out the New Clip from ‘Lawless’ Featuring Shia Labeouf and Tom Hardy

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Shia LaBeouf Will Not Be Returning To Ruin ‘Transformers 4′

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Transformers: Dark of the Moon: Movie Review

The Players:

The Plot:

The Michael Bay Paradox:

The Good:

The Bad:

Overall:

Rating: 4.5/10

Gallery:

Trailer:

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Wall Street Money Never Sleeps: Movie Review

The Players:

The Plot:

The Good:

The Bad:

Overall:

Rating: 8/10

Photo Gallery:

Trailer:

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