Making their third annual appearance at Comic-Con, the entire Tron: Legacy posse, including Jeff Bridges, Michael SheenOlivia Wilde and Garrett Hedlund showed up to pimp their latest film, once again, to the San Diego crowd. More on Bridges’ 3D innovations, Sheen’s dreams of Comic-Con glory and Daft Punk’s involvement with Legacy’s score after the jump…

Tron and Comic-Con have been like peas and carrots in recent years. But don’t expect a complaint from Michael Sheen. An admitted fanboy himself, Sheen was as giddy as a Trekkie with a new pair of Spock ears to be in San Diego promoting his project.

Sheen: “I was supposed to come for a few years, with Underworld, Alice in Wonderland and Twilight, and I wasn’t able to. I wanted to build up a really big head of steam so that when I got here, I’d be carried shoulder-high through the streets, crowned the new King of Comic-Con. That hasn’t happened yet. So you have the chance to make this young man’s dream come true.”

It’s been 28 years since Tron first hit theaters. Obviously Bridges was a much younger man then, one who’d enjoyed far less of life’s carnal pleasures. When asked how he felt to be jumping back into the Tron world, he said he’d heard rumors about the film’s return for two decades but had sort of given up on the idea.

Bridges: Disney had it on its back burners and they were not satisfied with the script so they waited and I’m so happy they did. Because we got a good script and they held out to find the right guy at the helm. With [director Kosinski] they found a terrific leader.

Before Kosinski did any casting or camera tests, his first step in building the new world of Tron was to hook up with Daft Punk to create a score that blends electronic and orchestral music “that really blurs the line between sound design and music in a new way.”

Kosinski: I hooked up with Daft Punk very early in the process, before even doing the effects test piece. We went down to the 101 Cafe in Hollywood and met them for a pancake breakfast. Their passion for Tron and what inspiration it is to them, which I think is obvious if you’ve ever been to their live shows, we talked about it for a long time and got started on the music before we ever started shooting and still are, almost two years later. They are, as we speak, putting finishing touches on the score.

Sure, the score will be super cool, but the thing the actors seemed the most excited about were the neon-trimmed bodysuits they wore during filming. Responding to a question about how they were to wear, the cast said:

Olivia Wilde: It was amazing.
Michael Sheen: It was amazing–to watch Olivia in the suit.
Wilde (laughing): It was totally revolutionary. We were wearing electro-luminescent lamps woven through neoprene and all these other materials. We would get really excited every time the suits would turn on.
Garrett Hedlund: At the beginning, you’ve got to train immensely for the suit and then they’ve got this thing called Cyber-Scan where they create this suit out of every curve and definition of your body so it’s completely exact and fits like a glove. Then the greatest thing is, you go into a dark room room and the producer has their kids around, you light it up and they just go ‘Aaaaaahhhh!’
Sheen: There was a great moment before every take where sound’s rolling, camera, and just before they’d say action, they’d say, ‘Light them up! And—action!’ And suddenly the whole room would go ‘Bing’ and you’d forget to act for a little bit, it’s so cool.

That’s a moment audiences will get to experience in 3D when the movie hits theaters December 17, 2010. When asked how he sees 3D technology evolving, Bridges said:

We’re always looking for something to bring the audience into the story. Isn’t 3D without glasses coming out? Or holograms? That’s where it’s going. Or maybe you’ll just take a pill. ‘TRON: The Pill.’

From “The Dude’s” mouth to your ears.

Further Reading: