Poll: Should Danny Elfman’s Score Be Used in The Wolfman?
By Krystal ClarkThe drama surrounding the Universal remake of The Wolfman refuses to go away. If it’s not the release date, it’s the director, or in this case the musical score. Over the past year, the movie has hit several stumbling blocks including the loss of its composer. Originally, Danny Elfman was on board to tackle The Wolfman‘s music, but left the project back in November. He was then replaced by Paul Haslinger, whose previous works include the Underworld series and Death Race.
Now, we’re hearing that Elfman’s score might be used in the film after all, which adds a lot of confusion considering the nearing release date. The composer is currently busy with other projects most notably Alice in Wonderland, so how will Universal pull this off? According to Cinemusic, “Haslinger is out and additional composers have been brought back in to stitch it all together using ideas from Elfman’s material.” This will be hard to accomplish since the final cut for the film could be drastically different from the one Elfman was inspired by.
Vote in our poll and let us know if they should use Elfman’s music or what’s left of Haslingers…
Elfman’s sound is unique and like no one elses. If anyone knows how to score a Gothic-horror movie it’s him. The Wolfman hits theaters on February 12th, so the studio and director Joe Johnston don’t have much time to get this together. What do you think should happen?
Feel free to comment below and tell us what you think Universal should do regarding The Wolfman’s score.

Friday, January 29, 2010 7:22PM
Oh come on, Haslinger's stuff? I listened to the music on the website. It's contemporary electric guitars and synth. You want that for a throwback film to a classic Hollywood horror film? I like electronica too, sometimes… if I'm drinking, but not for this. Not for this.
The original Wolfman score is another throwback to Elfman's early sound and the sound of 1930's horror, which he cites as an influence, i.e. Bride of Frankenstein. He combines this with his love of Jewish/Russian/Eastern European styles of music, particularly gypsy music — which makes sense in the context of this film. The result…
Just listen:
http://rutube.ru/tracks/2869799.html?v=badbebfe43…
That is actually from Elfman's Wolfman score, via the Film Score Monthly guys. Not bad, huh? Like Prokofiev meets Bram Stoker's Dracula. The muted brass brings back some o the Bernard Herrmann sound.
I'm looking forward again.